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Writer/director Henrique Couto's low-budget and low-quality horror-thriller was a tribute to the slasher films of the 1980s, with very abundant nudity (in a series of completely gratuitous nude sequences with mostly very buxom females), violence, and death scenes perpetrated by a masked killer.It was reminiscent of The Slumber Party Massacre (1982), The House On Sorority Row (1983), and Sorority House Massacre (1986).Soloway received the Directing Award at the 2013 Sundance Film Festival.

He was amazed on one occasion when she stepped out of her clothes and underwear, turned toward him totally nude, placed her hands on her hips, and smiled back at him.

He also briefly hooked up with shallow, fellow news anchor Victoria Riolobos (Alana de la Garza), who complained - coming out of his bathroom, that she had to leave because he had no teeth whitening trays.

The setting for the exploitative bloodfest was Halloween in Ray Falls, Ohio, where seven years earlier, a member of their junior-high babysitting club, April, was kidnapped and presumably murdered by a maniacal, faceless killer, wearing a blank-white, featureless mask.

A group of friends were still guilt-ridden about April's disappearance, and seemed to blame the sole survivor of the event years earlier - a pierced and goth-looking Bianca (Marylee Osborne), who was outcast from the group and hunting for the killer on her own.

Their realistic romance and extended conversations began in Before Sunrise (1995) (set in Vienna where the two 20 year-olds met on a train) and continued nine years later in Before Sunset (2004) (set in Paris).

Their relationship was further extended with them nine years later in Before Midnight (2013), with twin daughters Ella and Nina (Jennifer and Charlotte Prior).

During the evening, Angela was repeatedly receiving gruesome, increasingly-bloody picture-phone communications from several of the other club-members, none of whom showed up at the party!

The killer was eventually revealed to be Angela's neighbor, Mr.

There, the couple teased each other, became flirtatious and intimate, and were caught up in a more serious conversation about their complex relationship (involving their careers, gender roles, children, etc.) and its anxieties and strains.

One of their challenges in the last scene in the seaside hotel room was whether they should move to Chicago to bring Jesse closer to his son, although Celine had been offered an exciting new job in Paris where they lived.

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